Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He decided to pursue a career in art and attended the University of Minnesota’s commercial illustration program. He was hired as a medical illustrator in Minneapolis, creating artwork for medical device companies, textbooks and surgeons. Once that industry became dependent on digital art, he longed for a return to fine art and began watercolor painting.
Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis, Ed Seago and John Yardley, among others. He found himself attempting to capture the landscape with the same economy of brushstroke, taking advantage of the luminosity of watercolors done in just a few washes. In addition, he was impressed with the way those artists seemed to capture everyday scenes in such a way that revealed a hidden beauty, subjects that many would simply pass by. This appealed to Andy as he grew up in the rural Midwest of the United States, far from the large, bustling cities of the east coast or the drama of the Pacific on the west coast. His familiarity and love of simple farm scenes and small towns is evident in his work today.
His work gained recognition after winning an international watercolor competition through American Artist magazine, appearing on their cover in 2005. He’s been featured in numerous other publications since, and has become a sought-after workshop instructor who paints and teaches internationally. He became a signature member of the prestigious Plein Air Painters of America (PAPA) in 2012 and was elected their President in 2015.
His paintings have won numerous awards, including the Bronze Medal of Honor at the 2012 American Watercolor Society Exhibition, and in 2015 he received the High Winds Medal and his signature status from the American Watercolor Society.
His love of painting on location also led to him being a featured presenter at the 2014 and 2016 Plein Air Conventions and inclusion in the 2017 Qingdao International Masters Watercolor Plein Air Event.
Andy has been asked to jury several exhibitions, including the Hoosier Salon in 2016 and the New England Watercolor Society, Philadelphia Watercolor Society and Red River Watercolor Society National Exhibitions in 2017.
You can view his work at www.EvansenArtStudio.com.
Aryn has taught art for 15 years in the Duluth area. Her background includes studying art at Luther College in Decorah, Iowa and painting in Aix-en-Provence, France in the Post-Impressionist style of Paul Cezanne. She has 2 active young children and a busy musician husband. Aryn enjoys painting in her studio and exploring the natural world with her family. She currently teaches high school art at Harbor City International School in Duluth.
Art has always been a major part of my life and I feel most fulfilled when I am doing something creative. I graduated from the University of Minnesota-Duluth in 2004 with a BFA in Studio Art and minor in Photography. I also received my K-12 Art Teaching licensure in 2007. For two years I was an art teacher in Cloquet Public Schools and prior to that I substitute taught in the Duluth school district. At the DAI I have taught watercolor and jewelry making classes to children. I absolutely love working with kids of all ages, it is inspiring and exciting! This past year I also started my own photography business, in which I specialize in portraits of babies, children, and families. I have a wonderful one year old daughter who is my joyful little sunshine. I just love watching her grow and cannot wait to make art with her!
Sarah Brokke Erickson
Sarah Brokke Erickson grew up in Grand Forks, ND, and received her BFA in Pre-Graduate Studio Art from UMD. During that time she studied abroad in Birmingham, England. She received her MFA through a joint program between Studio Art Centers International in Florence, Italy and Bowling Green State in Bowling Green, Ohio. She returned to Duluth in 2004 where she has since taught Painting and Drawing (focusing on Portraiture and the Figure) at the Duluth Art Institute, and Art and Art History at the College of St. Scholastica. Sarah's artwork is manifested primarily in paintings, with a focus on the figure. Thematically, her work explores gender roles and traditions, relationships, and identity. She has exhibited at many venues locally, as well as nationally and internationally. A recent interview of her working in her studio can be found here.
Teresa Clayton is a self-proclaimed textile addict who cannot seem to stop tinkering with wool, silk, cotton and a vast array of other lustrous fibers. Her enthusiasm for making unique, woolen dolls started innocently enough with an interest in learning to dye and spin her own colorful novelty yarns. It was during those early adventures that she was introduced to the felting needle and the potential of this tool for firmly sculpting fibers into fanciful doll characters. For the past decade she has continued to pursue her own methods of needle felting whimsical figurines over sturdy, hand-made wire armatures. This method allows her to create solid, sturdy pieces that are fun to display in a variety of animated poses.
Kelly DupreDupre has been a professional artist and educator for more than 20 years. As an artist, she has coordinated and instructed four major mosaic mural projects for schools in multiple cities up the North Shore. She is the author and/or illustrator of eight children’s books and has twice been awarded the Northeastern Minnesota Book Award, as well as being honored with the Bank Street College Children’s Book Award. A talented printmaker, she has exhibited her work at the Duluth Art Institute, MacRostie Art Center, and the Minnesota Humanities Commission, as well as banks, coffee shops and restaurants along the North Shore and in the Twin Cities. As a teacher, Dupre’s credentials include a Master’s in Education from the University of Minnesota-Minneapolis. She has five years of experience as a juvenile probation officer, five years of work as a classroom coordinator at North House Folk School in Grand Marais, and more than 10 years in special education. She has also been a docent at the Anchorage Museum, Alaska.
Susanna Gaunt is a visual artist with a background in photography. She was a core instructor for Rocky Mountain School of Photography in Missoula, Montana for 10 years where she had the opportunity to teach throughout the country and abroad. After a brief hiatus that included raising two kids and a move to Duluth, she is excited to return to teaching. She most enjoys witnessing the lightbulb moments with beginning students, and challenging them to push their creative side. Susanna has a philosophy degree from Boston College and will graduate in 2017 from UMD with a BFA in Painting, Drawing and Printmaking.
Linda is a kindergarten teacher during the school year and one of the instructors for the Kids’ Fiber Camp in the summer. All of the camp instructors are members of the Duluth Fiber Handcrafters’ Guild and together represent decades of experience with weaving, dyeing, spinning, needle felting, wet felting, knitting, and various other exciting fiber arts. We are all enthusiastic about sharing our life-long love of fiber and introducing kids to the world of fiber arts – the beginning of a lifetime of new experiences.
Matt Kania is a member of the Northern Printmakers Alliance (Duluth) and the Highpoint Center for Printmaking (Minneapolis). Matt has exhibited his work at the Northern Prints Gallery, the Highpoint Center Gallery, Duluth Art Institute, and the Bloomington Art Center. In recent years, he has focused on creating imagery using less toxic, portable printmaking techniques, such as polyester plate lithography. Some of Matt’s printmaking can be seen at: www.northernprintsgallery.com
Matt is also founder of Map Hero, a map design and illustration studio devoted to illustrating the world through maps. His map illustrations have appeared at institutions such as the Minneapolis Institute of Arts, Denali National Park, and the Minnesota Zoo; and in publications for the United Nations, Wall Street Journal, Scholastic, and The Nature Conservancy. Examples of map illustrations can be seen at: www.MapHero.com
I am a woodworker by trade (I build harps and other musical instruments), so at one point I decided to build a spinning wheel. I have never built that dream wheel, but I now own several made by other craftsmen. I decided I would rather spend my precious leisure time spinning. In fibers, I find the variety of textures and colors endlessly fascinating, and being able to convert them into yarns for knitting, weaving, and crochet is very satisfying. My skill as a spinner has developed from attending classes and workshops over the years, but also from the interchange of sitting with other spinners, watching them work and discussing challenges and accomplishments. I especially like to get beginners started on this path of shared interest.
I grew up in Minneapolis and earned my BFA in glass working from St. Cloud State University in 1986. After blowing glass in Colorado, Minnesota and Wisconsin, I moved to West Virginia, where I began to make clay work while pit firing it in my yard. I moved to Carbondale, Illinois and did graduate work in Ceramics there. I received my MFA in 1996, moved to Victoria, British Columbia and spent two years making pots, gardening and traveling. Duluth became my new home in 1998. I teach at local colleges, and my studio, the Duluth Pottery, as well as selling work in galleries and at art fairs.
My work is Maiolica, an in-glaze hand painted tin glaze technique. I make functional pots and tiles that are meant to celebrate the day. My individual wall pieces and compositions of tiles are hand built and decorated with colorful, loose brushwork. I draw from every day scenes and objects for my imagery. Capturing the color and movement of the moment is my aim…the flowers in my garden trembling in a slight breeze and the sun glowing through them, or the light coming in the window and lighting the room.
Art has always been a huge part of my life. I became a visual art educator because I discovered at a young age the value and connection that I had with art to the world. I learned that I could express and say things through art that I couldn't say any other way. My goal as a visual art teacher, is to provide instruction, guidance, and an environment where students can find their own voice through art.
Rebecca Layman has taught art in the summers at the Duluth Art Institute for the last eleven years. Rebecca says she looks forward to teaching art camp at the DAI as something different than a regular school setting. She started her teaching career teacher elementary art at Bagley Elementary school for six years. Five years ago Rebecca decided to switch from teaching elementary students to teaching high school students. This is her fifth year of teaching art at Lincoln High School and says, "I am loving every minute of it".
Louise Lundin is a lifelong artist and experienced instructor, well known for painting and teaching drawing and painting, especially watercolor portraits. She loves people, loves painting, and generously shares her knowledge and expertise with workshop students. In 2010, Lundin portraits titled Sauna Girl and Girl in Green Sweater were accepted into juried exhibitions. Two Lundin watercolor portraits are featured as cover art on books titled War Stories I and II. One of the most inspiring moments in her painting journey was when Edgar Whitney said, “Art is learned [and] Do not be afraid to fail, for that is how you learn.”
Kathy Raue Maas
Kathy Raue Maas is a colored pencil artist who started drawing at an early age. She received a BFA in printmaking from UW-Milwaukee. Following a career as a graphic designer and director of marketing she returned to her love of drawing and was hooked on the versatility of colored pencils. She is eager to share the potential of colored pencils and teaches classes and workshops in the Twin Ports. Nature is the inspiration for most of her work but she is also has an interest in architecture and historic buildings. For over 30 years she has illustrated an historic church for her Christmas card. The Wisconsin native retired to the East Hillside of Duluth where she has an expansive view of Lake Superior and is inspired by the changing colors of the lake and sky in every season.
Robin Murphy has taught at UMD, Northland College, and the Northern Clay Center. She received her BFA from UMD in Studio Arts, and a MFA from Cranbrook Academy of Art in Ceramics. She has received grants from the Jerome Foundation and the Wisconsin State Arts Board. Recently, Robin has been an artist in residence in the Bayfield Public School where she facilitated three ceramic tile projects. The largest, was a 10’ x 28’ mosaic tile mural with K-5th grade in a service learning program. Robin exhibits nationally, and locally she is represented by Lizzard’s.
Karen Owsley Nease
Karen Owsley Nease is painter working with contemporary landscapes and pattern abstraction. Originally from the Kansas City area, she relocated to Duluth in 2013 to be near Lake Superior and the north woods. A lifelong painter with a concurrent interest in design, she has a BFA in Painting/Printmaking from the Kansas City Art Institute and two architectural degrees from the University of Kansas. She was co-owner of the acclaimed contemporary Joseph Nease Gallery in Kansas City, Missouri. She has exhibited extensively and recently had a solo exhibition of paintings in the Morrison Gallery at the Duluth Art Institute. Her work is in corporate, museum and private collections in Missouri, Kansas and Minnesota. She is represented in Duluth by Lizzard's Gallery.
Karen has great passion and enthusiasm for art, especially painting. She loves sharing her deep knowledge of various painting media, techniques, and styles. She is particularly excited to work with students to develop their strengths around their specific interests and motivations as painters. Her website is karennease.com.
Esther Piszczek is a Certified Zentangle (R) Teacher and working artist. She left the practice of law in 2008 to live more creatively. She currently teaches Zentangle pattern drawing classes through Duluth Art Institute, Duluth Community Education, at McCabe Renewal Center, Master Framing Gallery, and by private request. Her artwork is available in Duluth at Pierce & Piszczek Fine Pianos and Master Framing Gallery and Art on the Plaza in Superior, WI.
Mary Plaster received her BFA from the University of Minnesota, Minneapolis and her MA from University of Wisconsin, Superior, focusing on mixed media painting. She also a certified spiritual director and has a Doctorate in Ministry from Wisdom University in San Francisco, specializing in Sacred Art Activism. In recent years Mary has focused on making papier-mâché giant masks and puppets by herself and in community with adults or children. Her interview with the Playlist can be found here.
Mary works with the local theatres and large national conferences, most notably the 2012 Awakening Imagination for Transformation in Washington, DC, 2008-2011 Flint Hills International Children’s Festivals in St. Paul, 2010 Festival of Faiths in Louisville, and 2007 Burning Man Festival in Black Rock City, Nevada. In 2008 she received a McKnight/ARAC Individual Career Development Grant to attend the July apprentice program with Peter Schumann’s 45-year-old Bread and Puppet Theater in Glover, Vermont. She was then a guest curator for the Duluth Art Institute (DAI), organizing an exhibit with David Hodges, Effigies of Peace and Protest: The Art of Social Activism, featuring four decades of selected historically significant street theater art from Bread and Puppet, In the Heart of the Beast (Minneapolis) and the local Art of Peace. The closing reception for this art show inspired the first All Souls Night. ASN is now an annual arts event on November 2nd in the Depot Great Hall. See more about Mary atwww.maryplaster.com.
I started with clay as a prerequisite for my degree program in management from Lake Superior College, and graduated in 2003 with high honors. In the past 13 years I’ve studied with Bob Husby, Dorian Beaulieu, Tonya Borgeson and Dave Lynas. I’ve enjoyed working with porcelain and stoneware with the high fire results you can get from wood and gas fired pottery. Recently, I taught kiln building classes at Guangzhou Acadamy of Fine Arts in Guangzhou, China and have assisted in many Duluth Art Institute classes. My experience in ceramics includes kiln building and firing, high fire pottery, and Raku processes.
I began working on farms and learning the fiber arts in my mid twenties, knitting, spinning, and weaving, but it wasn't until I started felting that I focused my passion for creating beauty in the world. It's hard to say what has grabbed me the most with felting. I love the textures, the ability to shape forms without sewing, the ability to sew forms with such a forgiving fabric, and the connection to a long line of those who have come before me, especially the nomads of Central Asia whose lives rotate with the seasons of the grasslands and the animals they sustain. My hope is to keep breathing new life into these old ways, honoring the incredible marriage of function and beauty and passing on this art through hands-on experiences at my studio, Otlak Felt Studio and Clothing, in my hometown of Duluth, MN. (DeWitt Seitz Marketplace, 4th Floor. 218-491-7099)
After working for twenty years as a watercolor artist I returned to school to study oil painting at the New York Academy of Art, earning a MFA in 2005. Among the many things I learned from two years in New York City was that you can take the artist out of the north woods but you can’t necessarily take the north woods out of the artist. I returned to Minnesota with renewed commitment for reflecting my relationship with the natural world in my art.
Working from life, my paintings, oil and watercolor, usually combine a figure with landscape or still life. Often I use small toys or objects as an alternative to the human model and pieces of turf or plant colonies from the forest floor as a mini version of the landscape. Frequent use of a mirror symbolizes the reflective surface of the lakes of Minnesota. The reflections not only look like a calm lake but also provide a second angle from which to view the objects.
I teach adult art education classes in painting and drawing and offer private lessons from my studio in Duluth. I have been honored to receive several grants and art residencies and am currently represented by Lizzards Gallery in Duluth, Lanesboro Arts Center in Lanesboro MN and Stricoff Fine Art in New York City.
Sheila Staubus, assistant manager of the DAI ceramics studio, also teaches Beginning and Independent Study classes in clay. “Teaching others forces me to think about how and why I do things a certain way, and what new (or old) techniques I want to try. I also meet many wonderful and creative people.”
Sheila first learned the art of ceramics under the instruction of Dave Lynas at the DAI in 2001. Since then she has studied under many instructors of local, national and international renown. She loves the rhythm and line of Moorish architecture, the intricacy of Indian stone and woodcarving, the soft brushstrokes of Oriental watercolor and the color and swirl of Rosemaling. “I like to celebrate the ordinary. . .vines, birds, snowflakes, things I see out my window, things that make me laugh.”
Adam Stevenson was born and raised in Hamden, Connecticut. He has lived in Duluth since 1994 with his wife and two children. He has a B.S. and an M.A in Communication Sciences and Disorders and has worked as a Speech and Language Pathologist for 20 years in the Duluth/Superior area. His attraction to clay started in high school and has been a source of great pleasure ever since. Adam loves to experiment with all phases of the creative process and loves to try new things “just to see what happens”. He enjoys working with/teaching/learning from with other clay enthusiasts and derives satisfaction from both the process and the product!
"In my work I deconstruct the ideas that are part of our childhood and adult culture. My work also addresses the future, fragility of the human presence, perseverance of nature and underlying threads of danger that underpin societies. I use my work to encourage thought and interest in science.
I received my BFA at U of MN Duluth and have painted and studied in Europe, Asia, South America and the South Pacific. After three years in New York and a couple stints in Antarctica, I have called Duluth, MN home since 2008. I paint full-time, am married and a father of two. More of my work can be seen on my website www.adamswanson.com."
Chrissy Valento moved to Duluth in 1986 and never looked back. She always wanted to live by that great, big Lake Superior and she feels very lucky to call Duluth home.
She is married to Rick, has two children, two bunnies, and one big yellow lab named Max. Chrissy has been teaching in the Duluth Public Schools for 18 years, and enjoys it immensely. She has also been teaching at the Duluth Art Institute for the past 10+ years and feels fortunate to meet such amazingly talented kiddos year after year. Chrissy considers herself a life-long learner, and is always willing to try new art forms. She most enjoys felting, glass fusing, and watching others get excited about being creative.
After working in education for many years, I returned to school to receive my Masters of Art Education from University of Wisconsin, Superior. Since
then, I have continued teaching within the community through a number of venues. For me, learning and teaching are one in the same. I am always interested in putting together new curriculum that integrates the visual arts with math and science, connecting it to the world around us. As a visual
artist I feel a responsibility to not only create my own artwork but to also encourage, engage and educate others in their continued exploration of the
creative process. I’m extremely thankful to live in a community that shows such a strong appreciation of and commitment to the visual arts!
Bill Wise was born and resides in Duluth. After retiring in 2003, he has devoted time to develop his art skills, taking lessons from local and national instructors. He continues to learn and develop skills on his own and his network of and interactions with artists in the Duluth area keep him motivated.
“When it comes to art, I have two passions: First, I love to draw and paint; second, I love to teach others how to draw or paint.”
With a passion for drawing and painting portraits, he is comfortable with different mediums, and prefers sketching with charcoal and painting with watercolor. For more information about Bill, please visit his website: http://www.williamwiseart.com
Jo Wood's bead and fiber landscapes celebrate her connection to Nature. They serve as portals to the peace and beauty of Place. Her work has been exhibited throughout the United States and is in the collections of Minnesota Historical Society, St. Paul MN and the Mayo Clinics, Rochester MN. Her work has been published in Lark Books, NY 500 Beaded Objects (2004), and Beadwork Magazine, Interweave Press "Stitching a Sense of Place In Beads.”
Wood was born in Berwyn, IL in 1952. In 1970 she moved to DeKalb, IL to attend Northern Illinois University and study weaving and studio arts. The North Shore of Minnesota has been her home for more than 20 years. Much of that time she lived in a rustic log cabin where she hauled water, heated with wood, and created her intimate scale landscapes in beads.
Today, Jo Wood is a Northern Communities Land Trust home owner in Duluth, MN where she maintains her studio and garden. She travels to teach bead embroidery workshops both regionally and nationally.